Arias: Puccini’s operatic greats

Verdi’s Overture to La forza del destino was a very accessible entry to this concert. Its familiar themes, moments of drama, and ‘proper’ ending – i.e. one that went on for a few bars and was obvious about when it was finished – were perfect for ‘almost, but not quite the end of the week’ at 7:30pm on a Thursday.

Soprano Eliza Boom, tenor Paul O’Neill, and conductor José Luis Gómez led us through some of the best of Italian pop music of the late 19^th and early 20^th century. The programme covered four composers and 10 operas. Those with an interest in opera would have recognised the composers: Verdi, Puccini, Mascagni, and Leoncavallo. Those less familiar with the opera, but with an ear for melody, would have easily recognised enough of the programme from soundtracks and advertisements to feel quite at home.

With so many separate items on the programme, Gómez provided a valuable and light-hearted narrative throughout. Context about the time when the composers were working, and scene setting so we knew what the aria was stating, gave the audience an understanding and additional pleasure that should not be underestimated.

Two soloists alone on stage is a far cry from a performance with their fellow cast members, chorus, costumes, lighting, and scenery. Despite missing all these usual extras, Boom and O’Neill did well to convey the full opera experience. They were most comfortable when on stage together and a nice touch was O’Neill (Rodolfo) escorting Boom (Mimi), arm in arm, into the wings, as if they were on stage in a full performance.

As ever, the orchestra was in very fine form, working with and responding well to Gómez. Together they directed and played with energy, emotion, and an obvious respect for the music despite their undoubted familiarity with much of what they had in front of them.