Sleeping Beauty: The Pantomime
Written by: Gavin Rutherford and Simon Leary
Directed by: Gavin Rutherford
Circa Theatre, 16th Nov 2024
Reviewed by: Tanya Piejus
Celebrating 20 years of the Circa pantomime, this year’s offering was always going to be special. It’s fitting, then, that this edition of the panto has a Dr Who-inspired, time-travelling twist with Anita Minute (Jthan Morgan) dressed in a sparkly third-Doctor-themed tailcoat and necktie (costume design by Sheila Horton) and a Portal-Oo in place of the TARDIS. It’s great to see Jackson Burling back in a full role, rather than playing swing, as Justin Time, Anita’s companion. There’s even a nerdalicious nod to Jurassic Park in Natasha McAllister’s velociraptor minion and the occasional callback to previous pantos, including Lyndee-Jane Rutherford’s Goosey with her nasal “Hoooooonk!” for those of us old enough to remember Mother Goose 11 years ago.
Writers Gavin Rutherford and Simon Leary have created another wonderfully entertaining, homegrown adaptation of a classic fairytale with all the Wellington-themed and political jokes we’ve come to expect. The digs at David Seymour, Winston Peters, and Shane Jones elicited laughs from the largely adult opening-night audience and Bronwyn Turei tearing in half a sheet of paper and performing a haka with Morgan received the biggest roar of applause for acknowledging current political events.
The cast of experienced performers work beautifully and energetically together and lean into the gender-fluid and inclusive nature of the panto. No one does a villain like Bronwyn Turei as evil fairy Dusk, and Simon Leary and Kathleen Burns are charming as Dawn and Day, fairy dads to the delightful Aurora Australis (Rachel McSweeney) and her stunning singing voice.
As ever, Michael Nicholas Williams comes up trumps with his musical arrangements of pop hits by stars ranging from The Beach Boys to Cher and Ed Sheeran and even sneaks in a homage to the Dr Who theme.
Ian Harman’s set design, including a stunning painted cobblestone floor, and Marcus McShane’s lighting create a lush and vibrant stage for yet another fabulous, funny, and flirty pantomime. Oh, no they didn’t! Oh, yes they did!
View more reviews:
« Click here