Tangihanga - Reviewed by Tanya Piejus | Regional News Connecting Wellington
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Tangihanga

Written by: Kristyl Neho

Directed by: Kristyl Neho and Eunice Smith

BATS Theatre, 28th Aug 2024

Reviewed by: Tanya Piejus

Tangihanga, presented solo by powerhouse performer Kristyl Neho, is a 60-minute comedy-drama centred around Jess, whose beloved father Karanipa dies in a hospice at a ripe old age. His whānau and friends travel from near and far to gather at the marae and mourn his loss. As the tangi progresses, tensions rise, family dynamics unravel, and long-harboured secrets are exposed. All the while, Jess and her whānau grapple with their grief and differences.

Neho embraces around 30 characters, from noble Karanipa himself through bickering and bossy aunties, posturing uncles, and a transgender teen all the way to sweet mokopuna Mikaere, who wonders why Karanipa looks “all grey and weird” as he lies in his coffin. Switching swiftly and effortlessly between these assorted personalities, Neho is magnificent as she uses her body and voice to create their nuances, always clearly expressing who’s who and never tipping into cliché. Gossiping Aunty Margaret in her “dramatic hat” is an instant favourite.

The technical design (Monique Cowern) is a masterwork of minimalism, using light to establish place and mood and never getting in the way of the performance. A box filled with tiny blue spots and covered in a soft drape subtly captures Karanipa’s enduring spirit as his family grieves for him. Matiu Whiting’s soundscape of music, effects, and recorded voice beautifully serves Neho’s performance. Even Neho’s simple, flowing costume (Cheryl Downie) of black with a green, koru-patterned cape is elegant and effective.

The directing team of writer Neho and contributing writer Eunice Smith, together with contributing directors Clan Elyse White and Jo Randerson, have evidently considered every move. The action flows seamlessly around the stage, allowing the audience to imagine each place and activity with only a handful of boxes as props. This choice of staging allows the story and personalities to breathe into the space and inhabit it with richness and life, even in the context of death.

As a collaborative work about whānau and community, Wahanui Productions’ Tangihanga is a graceful celebration of the power of theatre to create and tell a story.

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