The Jazz Age - Reviewed by Dawn Brook | Regional News Connecting Wellington
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The Jazz Age

Presented by: Orchestra Wellington

Conducted by: Marc Taddei

Michael Fowler Centre, 9th Nov 2024

Reviewed by: Dawn Brook

Marc Taddei’s choice of George Gershwin’s Porgy and Bess to illustrate the part jazz has in the history of music was inspired. The music combines classical, jazz, gospel, spiritual, and blues idioms and is full of energy, colour, and sheer beauty. This performance was a 1956 arrangement of the opera by Russell Garcia for full orchestra, a choir, and three solo vocalists, including one who narrates offstage action.

The orchestra was on fire throughout, the large brass section having a particularly good time with the jazz idioms. Soprano Deborah Wai Kapohe, playing all the female characters including Bess, was outstanding, her voice flexible, with an excellent range, and both sweet and strong. Bass Eddie Muliaumaseali’i, as both Porgy and Crown, his villainous rival for Bess, was equally impressive. He had an imposing presence and his wonderfully integrated voice was rich, smooth, and dramatic. Tenor Siliga Sani Muliaumaseali’i (Eddie’s brother in real life) provided the narration and sang the role of drug-dealer Sportin’ Life with convincing menace. The audience was treated to characterful performances of arias such as Summertime, I Got Plenty O’ Nuttin’, It Ain’t Necessarily So, and Bess, You Is My Woman Now. The choir complements the soloists in creating the drama and pathos of the opera. An outstanding group of Pasifika singers from the award-winning, Wellington-based Signature Choir provided this component of the performance very sympathetically. Jacqueline Coats’ staging of the opera was minimal, clever, and amusing.

Porgy and Bess was preceded by the annual appearance of Arohanui Strings, a group of Wellington and Hutt Valley youngsters grasping the opportunity to learn and make music. This always heartwarming event featured A Kalahari Eclogue, an attractive composition by Keith Moss, supplemented by simpler pieces that even smaller children participated in. “Adorable”, said Taddei, and they were.

In sum, with Taddei’s imaginative programming and natural ebullience, Orchestra Wellington triumphed again.

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