The Tempestuous

Entering through a tempest to get to Circa Theatre, I was unaware of the storm of laughter that The Tempestuous would bring. Inspired by the Bard himself, William Shakespeare, this musical solo show sees Princess Rosa navigating a cyclone of menopausal witches, full-of-themselves courtiers, and much ado about baking tarts.

Penny Ashton multi-roles this captivating story like no other. She commands the audience with great vigour and humour, making us burst into fits of laughter frequently. Each character that Ashton embodies is incredibly distinct – no mean feat considering she plays at least 10 roles as one incredibly talented actor with impressive vocals to boot (musical direction and compositions by Robbie Ellis). Let’s not forget that unparalleled one-person swordfight.

The Tempestuous is a satire, often critiquing the role of men, which I must say is rather deserved. Not just a laugh fest, the show also draws from current affairs and is very politically relevant.

Ashton’s multi-rolling extends not only onstage but also behind the scenes, as she is also the show’s writer, sound designer, producer, publicist, and more. The Tempestuous is well written using ‘ye olde English’ and features many a rhyming couplet. The stage is filled with many surprises, often causing the audience to chuckle when props are revealed (our prop artist is none other than… you guessed it, Ashton).

Ashton wears a stunning corset dress (costume design by Elizabeth Whiting and corset design by Katie McGettigan) that is so detailed, it almost stops the show in its elegant tracks.

Ashton’s gift for audience interaction is a highlight – especially the improvised moments, such as addressing a latecomer and the one who left their glasses. My only criticism is that I wish there had been more audience interaction overall.

The Tempestuous made me cackle like the coven of witches within it. If you want to laugh until your corset splits, then gallivant to Circa Theatre at thy earliest convenience – or be damned!